
Critic’s Notebook
This Ain’t No Disco: Alone in a Crowd at the Armory
At times, the experience of “SOCIAL! the social distance dance club” felt no more freeing than dancing by myself in my cramped living room, our critic says.
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At times, the experience of “SOCIAL! the social distance dance club” felt no more freeing than dancing by myself in my cramped living room, our critic says.
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In a haunting new digital work, “Whale Fall,” Mayfield Brooks mourns Black bodies.
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“So You Think You Can Dance” may be on pandemic hiatus, but the show’s alums can be found on screens of all sizes.
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Casel’s joyful and generous spirit is as vivid as ever in a new virtual presentation by the Joyce Theater.
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In 1936, Graham choreographed this scorching response to the rise of fascism.
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“You are the center of your own world. Any space is important,” the Congolese choreographer Faustin Linyekula told members of It’s Showtime NYC.
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“Ballerinas never crash,” said Lauren Lovette, but, “I love falling to the floor.”
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In Abby Zbikowski’s “Radioactive Practice,” a dancer says, “You’re seeing survival and community in real time.”
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